Cornell University

Event Calendar for Johnson Museum of Art

June 25 - July 25, 2022

Saturday, June 25, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Sunday, June 26, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Wednesday, June 29, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Let's Meditate on the Johnson Museum of Art sculpture court

During each half-hour session, trained Cornell Health “Let’s Meditate” program guides Catherine Thrasher-Carroll and Eve Abrams will lead participants...

Thursday, June 30, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Friday, July 1, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Saturday, July 2, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Sunday, July 3, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Wednesday, July 6, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Let's Meditate on the Johnson Museum of Art sculpture court

During each half-hour session, trained Cornell Health “Let’s Meditate” program guides Catherine Thrasher-Carroll and Eve Abrams will lead participants...

Thursday, July 7, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Friday, July 8, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Saturday, July 9, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Sunday, July 10, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Wednesday, July 13, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Let's Meditate on the Johnson Museum of Art sculpture court

During each half-hour session, trained Cornell Health “Let’s Meditate” program guides Catherine Thrasher-Carroll and Eve Abrams will lead participants...

Thursday, July 14, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Friday, July 15, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Saturday, July 16, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Sunday, July 17, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Wednesday, July 20, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Let's Meditate on the Johnson Museum of Art sculpture court

During each half-hour session, trained Cornell Health “Let’s Meditate” program guides Catherine Thrasher-Carroll and Eve Abrams will lead participants...

Thursday, July 21, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Friday, July 22, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Saturday, July 23, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...

Sunday, July 24, 2022

Berenice Abbott: Portraits of Women, 1925–1930

The famed American documentarian Berenice Abbott (1898–1991) began her career in photography as Man Ray’s darkroom assistant in Paris in 1923. Within three...

Edward Steichen (American, 1879–1973), "Vitality—Yvette Guilbert," 1901. Photogravure. Acquired through the Class of 1962 Fund for Photography, 80.031.003.

The Class of 1962 Fund for Photography was established in 1977 with a modest gift of five hundred dollars. The Fund, which was envisioned as an ongoing...

Jaune Quick-to-See Smith, "Horse Sense," 1994. Gift of donors to the Johnson Museum, by exchange

Powering Exchange was curated by the Johnson’s Education Department to support teaching at Cornell and in the broader community, in consultation with...

JEB (Joan. E. Biren), "Darquita and Denyeta, Alexandria, Virginia," from "Eye to Eye: Portraits of Lesbians," 1979

This exhibition assembles a selection of photobooks from the Cornell Library that function as protests, from passionate cries for social justice to...

Seymour Lipton (1903–1986), Untitled, 1953–59. Conte crayon on paper. Gift of Alan Lipton.

The abstract expressionist sculptor Seymour Lipton (1903–1986) represented the United States at the Venice Biennale in 1958. In the following decades he had...