日花仔 jit-hue-á / A Slow Parting draws on traditional Taiwanese funerary rites, particularly the rituals observed during the first seven days after death. The exhibition reflects on the thresholds between life and afterlife, memory and forgetting, presence and absence.

Working across performance, installation, and photography, 日花仔 jit-hue-á / A Slow Parting unfolds as an ongoing negotiation with grief, exploring the space between remembering and forgetting. The body becomes a vessel through which memory is performed, fragmented, and rearranged. By prolonging the duration of parting, Wang creates a fragile, sensorial specter that lingers in the unresolved presence of what has been lost.