BEGIN:VCALENDAR
VERSION:2.0
PRODID:icalendar-ruby
CALSCALE:GREGORIAN
X-WR-CALNAME:CANCELLED Tong Yang-Tze: Immortal at the River
X-WR-TIMEZONE:Eastern Time (US & Canada)
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203848830
DTSTART:20200201T150000Z
DTEND:20200201T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203897418
DTSTART:20200202T150000Z
DTEND:20200202T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203899696
DTSTART:20200204T150000Z
DTEND:20200204T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203901633
DTSTART:20200205T150000Z
DTEND:20200205T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203903640
DTSTART:20200206T150000Z
DTEND:20200207T003000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203905601
DTSTART:20200207T150000Z
DTEND:20200207T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203907374
DTSTART:20200208T150000Z
DTEND:20200208T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203910397
DTSTART:20200209T150000Z
DTEND:20200209T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203911987
DTSTART:20200211T150000Z
DTEND:20200211T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203913977
DTSTART:20200212T150000Z
DTEND:20200212T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203916528
DTSTART:20200213T150000Z
DTEND:20200214T003000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203917853
DTSTART:20200214T150000Z
DTEND:20200214T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203919972
DTSTART:20200215T150000Z
DTEND:20200215T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203921933
DTSTART:20200216T150000Z
DTEND:20200216T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203924663
DTSTART:20200218T150000Z
DTEND:20200218T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203926784
DTSTART:20200219T150000Z
DTEND:20200219T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203927107
DTSTART:20200220T150000Z
DTEND:20200221T003000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203929154
DTSTART:20200221T150000Z
DTEND:20200221T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203930505
DTSTART:20200222T150000Z
DTEND:20200222T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203931186
DTSTART:20200223T150000Z
DTEND:20200223T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203934201
DTSTART:20200225T150000Z
DTEND:20200225T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122245Z
UID:tag:localist.com\,2008:EventInstance_32431203935740
DTSTART:20200226T150000Z
DTEND:20200226T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203937102
DTSTART:20200227T150000Z
DTEND:20200228T003000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203938469
DTSTART:20200228T150000Z
DTEND:20200228T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203941273
DTSTART:20200229T150000Z
DTEND:20200229T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203943749
DTSTART:20200301T150000Z
DTEND:20200301T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203945896
DTSTART:20200303T150000Z
DTEND:20200303T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203947366
DTSTART:20200304T150000Z
DTEND:20200304T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203949327
DTSTART:20200305T150000Z
DTEND:20200306T003000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203951367
DTSTART:20200306T150000Z
DTEND:20200306T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203952894
DTSTART:20200307T150000Z
DTEND:20200307T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203953716
DTSTART:20200308T140000Z
DTEND:20200308T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203956339
DTSTART:20200310T140000Z
DTEND:20200310T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203957555
DTSTART:20200311T140000Z
DTEND:20200311T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203959802
DTSTART:20200312T140000Z
DTEND:20200312T233000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203961640
DTSTART:20200313T140000Z
DTEND:20200313T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203962377
DTSTART:20200314T140000Z
DTEND:20200314T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203964451
DTSTART:20200315T140000Z
DTEND:20200315T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203966956
DTSTART:20200317T140000Z
DTEND:20200317T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203968513
DTSTART:20200318T140000Z
DTEND:20200318T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203969900
DTSTART:20200319T140000Z
DTEND:20200319T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203971980
DTSTART:20200320T140000Z
DTEND:20200320T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203973934
DTSTART:20200321T140000Z
DTEND:20200321T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203975137
DTSTART:20200322T140000Z
DTEND:20200322T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203977130
DTSTART:20200324T140000Z
DTEND:20200324T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203977401
DTSTART:20200325T140000Z
DTEND:20200325T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203979643
DTSTART:20200326T140000Z
DTEND:20200326T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203980979
DTSTART:20200327T140000Z
DTEND:20200327T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203983212
DTSTART:20200328T140000Z
DTEND:20200328T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203985116
DTSTART:20200329T140000Z
DTEND:20200329T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203986697
DTSTART:20200331T140000Z
DTEND:20200331T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203987940
DTSTART:20200401T140000Z
DTEND:20200401T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203989779
DTSTART:20200402T140000Z
DTEND:20200402T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203991364
DTSTART:20200403T140000Z
DTEND:20200403T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203992881
DTSTART:20200404T140000Z
DTEND:20200404T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203994760
DTSTART:20200405T140000Z
DTEND:20200405T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431203997033
DTSTART:20200407T140000Z
DTEND:20200407T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204000595
DTSTART:20200408T140000Z
DTEND:20200408T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204002155
DTSTART:20200409T140000Z
DTEND:20200409T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204003123
DTSTART:20200410T140000Z
DTEND:20200410T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204005745
DTSTART:20200411T140000Z
DTEND:20200411T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204007029
DTSTART:20200412T140000Z
DTEND:20200412T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204008268
DTSTART:20200414T140000Z
DTEND:20200414T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204009998
DTSTART:20200415T140000Z
DTEND:20200415T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204011642
DTSTART:20200416T140000Z
DTEND:20200416T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204013911
DTSTART:20200417T140000Z
DTEND:20200417T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204015176
DTSTART:20200418T140000Z
DTEND:20200418T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204016421
DTSTART:20200419T140000Z
DTEND:20200419T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204018955
DTSTART:20200421T140000Z
DTEND:20200421T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204020348
DTSTART:20200422T140000Z
DTEND:20200422T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204022943
DTSTART:20200423T140000Z
DTEND:20200423T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204023907
DTSTART:20200424T140000Z
DTEND:20200424T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204026234
DTSTART:20200425T140000Z
DTEND:20200425T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204026466
DTSTART:20200426T140000Z
DTEND:20200426T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204029228
DTSTART:20200428T140000Z
DTEND:20200428T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204030125
DTSTART:20200429T140000Z
DTEND:20200429T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204031624
DTSTART:20200430T140000Z
DTEND:20200430T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204033367
DTSTART:20200501T140000Z
DTEND:20200501T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204035192
DTSTART:20200502T140000Z
DTEND:20200502T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204036816
DTSTART:20200503T140000Z
DTEND:20200503T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204039578
DTSTART:20200505T140000Z
DTEND:20200505T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204040550
DTSTART:20200506T140000Z
DTEND:20200506T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204041754
DTSTART:20200507T140000Z
DTEND:20200507T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204042767
DTSTART:20200508T140000Z
DTEND:20200508T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122246Z
UID:tag:localist.com\,2008:EventInstance_32431204045596
DTSTART:20200509T140000Z
DTEND:20200509T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204046863
DTSTART:20200510T140000Z
DTEND:20200510T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204049207
DTSTART:20200512T140000Z
DTEND:20200512T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204050245
DTSTART:20200513T140000Z
DTEND:20200513T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204052937
DTSTART:20200514T140000Z
DTEND:20200514T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204053367
DTSTART:20200515T140000Z
DTEND:20200515T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204055281
DTSTART:20200516T140000Z
DTEND:20200516T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204057806
DTSTART:20200517T140000Z
DTEND:20200517T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204058634
DTSTART:20200519T140000Z
DTEND:20200519T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204060281
DTSTART:20200520T140000Z
DTEND:20200520T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204062212
DTSTART:20200521T140000Z
DTEND:20200521T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204063615
DTSTART:20200522T140000Z
DTEND:20200522T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204065616
DTSTART:20200523T140000Z
DTEND:20200523T220000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204068144
DTSTART:20200524T140000Z
DTEND:20200524T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204069408
DTSTART:20200526T140000Z
DTEND:20200526T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204071186
DTSTART:20200527T140000Z
DTEND:20200527T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204073186
DTSTART:20200528T140000Z
DTEND:20200528T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204073730
DTSTART:20200529T140000Z
DTEND:20200529T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204076442
DTSTART:20200530T140000Z
DTEND:20200530T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204078237
DTSTART:20200531T140000Z
DTEND:20200531T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204079864
DTSTART:20200602T140000Z
DTEND:20200602T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204081807
DTSTART:20200603T140000Z
DTEND:20200603T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204083681
DTSTART:20200604T140000Z
DTEND:20200604T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204085152
DTSTART:20200605T140000Z
DTEND:20200605T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204086150
DTSTART:20200606T140000Z
DTEND:20200607T020000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261017T122247Z
UID:tag:localist.com\,2008:EventInstance_32431204088509
DTSTART:20200607T140000Z
DTEND:20200607T210000Z
DESCRIPTION:The Johnson Museum is currently closed as part of the Cornell U
 niversity Ithaca campus. General updates will be posted on our website.\n\
 nImmortal at the River references the title of the poem by Yang Shen (1488
 –1559) that forms the preface to the standard edition of the Chinese his
 torical novel Romance of the Three Kingdoms (San guo yan yi). The poem is 
 the subject of a 54-meter-long cursive-script calligraphy of the same name
  (2003\, ink on paper) by Tong Yang-Tze (Grace Tong\, born 1942)\, one of 
 Taiwan’s foremost calligraphers working today. At the Johnson\, the monu
 mental scroll circles the perimeter of the Bartels Gallery to provide view
 ers with an immersive experience of bold and vigorous ink brushwork.\n\nOv
 er a long career spanning four decades\, Tong Yang-Tze has received critic
 al acclaim for her large-scale\, unrestrained cursive script\, and her wor
 ks have been exhibited in more than sixty exhibitions across the globe. Sh
 e began her study of calligraphy at the age of eight with the practice of 
 copying ink rubbings from ancient stone inscriptions. Recognized early on 
 for her exceptional talent\, she earned a degree in fine arts from Nationa
 l Taiwan Normal University\, and then pursued further visual art study in 
 the United States. After returning to Taiwan\, her experimental approach f
 used Western theories of painting with the traditional lines and brushstro
 kes that form the foundation of Chinese calligraphy. In recent years\, the
  artist has promoted the ancient art of Chinese script in experimental way
 s that cross disciplines of design\, visual art\, digital media\, and perf
 ormance to resonate in the modern world.\n\nTong Yang-Tze is the 2020 Wong
  Chai Lok Calligraphy Fellow at Cornell. A performance of one of her cross
 over works will be presented as part of Locally Grown Dance 2020 (March 5
 –7 in the Kiplinger Theatre at the Schwartz Center for the Performing Ar
 ts)\, and related student dance performances will be held at the Johnson (
 to be announced).\n\n \n\nThis exhibition was curated by An-yi Pan\, assoc
 iate professor in the Department of the History of Art and Visual Studies\
 , and Ellen Avril\, chief curator and curator of Asian art at the Johnson.
  The exhibition\, forthcoming publication\, and programs are made possible
  by major funding from the Ministry of Culture\, Republic of China (Taiwan
 ) and a gift endowed in memory of Elizabeth Miller Francis ’47. Addition
 al support is provided by the Wong Chai Lok Calligraphy Fund\, Cornell Cou
 ncil for the Arts\, East Asia Program\, Department of Media and Performing
  Arts\, and the Schwartz Center for the Performing Arts.
GEO:42.450729;-76.486069
LOCATION:Johnson Museum of Art\, Bartels Gallery\, Floor 1L
SUMMARY:CANCELLED Tong Yang-Tze: Immortal at the River
URL;VALUE=URI:https://events.cornell.edu/event/tong_yang-tze_immortal_at_th
 e_river
CATEGORIES:Exhibition
END:VEVENT
END:VCALENDAR