BEGIN:VCALENDAR VERSION:2.0 PRODID:icalendar-ruby CALSCALE:GREGORIAN X-WR-CALNAME:Staged\, Performed\, Manipulated X-WR-TIMEZONE:Eastern Time (US & Canada) BEGIN:VEVENT DTSTAMP:20260612T081443Z UID:tag:localist.com\,2008:EventInstance_1076364 DTSTART:20150124T150000Z DTEND:20150124T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081443Z UID:tag:localist.com\,2008:EventInstance_1076365 DTSTART:20150125T150000Z DTEND:20150125T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081443Z UID:tag:localist.com\,2008:EventInstance_1076366 DTSTART:20150127T150000Z DTEND:20150127T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081443Z UID:tag:localist.com\,2008:EventInstance_1076367 DTSTART:20150128T150000Z DTEND:20150128T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081443Z UID:tag:localist.com\,2008:EventInstance_1076368 DTSTART:20150129T150000Z DTEND:20150129T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081443Z UID:tag:localist.com\,2008:EventInstance_1076369 DTSTART:20150130T150000Z DTEND:20150130T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081443Z UID:tag:localist.com\,2008:EventInstance_1076370 DTSTART:20150131T150000Z DTEND:20150131T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081443Z UID:tag:localist.com\,2008:EventInstance_1076371 DTSTART:20150201T150000Z DTEND:20150201T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081443Z UID:tag:localist.com\,2008:EventInstance_1076372 DTSTART:20150203T150000Z DTEND:20150203T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081443Z UID:tag:localist.com\,2008:EventInstance_1076373 DTSTART:20150204T150000Z DTEND:20150204T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081443Z UID:tag:localist.com\,2008:EventInstance_1076374 DTSTART:20150205T150000Z DTEND:20150206T010000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076375 DTSTART:20150206T150000Z DTEND:20150206T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076376 DTSTART:20150207T150000Z DTEND:20150207T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076377 DTSTART:20150208T150000Z DTEND:20150208T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076378 DTSTART:20150210T150000Z DTEND:20150210T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076379 DTSTART:20150211T150000Z DTEND:20150211T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076380 DTSTART:20150212T150000Z DTEND:20150213T010000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076381 DTSTART:20150213T150000Z DTEND:20150213T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076382 DTSTART:20150214T150000Z DTEND:20150214T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076383 DTSTART:20150215T150000Z DTEND:20150215T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076384 DTSTART:20150217T150000Z DTEND:20150217T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076385 DTSTART:20150218T150000Z DTEND:20150218T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076386 DTSTART:20150219T150000Z DTEND:20150220T010000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076387 DTSTART:20150220T150000Z DTEND:20150220T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076388 DTSTART:20150221T150000Z DTEND:20150221T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076389 DTSTART:20150222T150000Z DTEND:20150222T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076390 DTSTART:20150224T150000Z DTEND:20150224T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076391 DTSTART:20150225T150000Z DTEND:20150225T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076392 DTSTART:20150226T150000Z DTEND:20150227T010000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076393 DTSTART:20150227T150000Z DTEND:20150227T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076394 DTSTART:20150228T150000Z DTEND:20150228T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076395 DTSTART:20150301T150000Z DTEND:20150301T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076396 DTSTART:20150303T150000Z DTEND:20150303T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076397 DTSTART:20150304T150000Z DTEND:20150304T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076398 DTSTART:20150305T150000Z DTEND:20150306T010000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076399 DTSTART:20150306T150000Z DTEND:20150306T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076400 DTSTART:20150307T150000Z DTEND:20150307T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076401 DTSTART:20150308T140000Z DTEND:20150308T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076402 DTSTART:20150310T140000Z DTEND:20150310T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076403 DTSTART:20150311T140000Z DTEND:20150311T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076404 DTSTART:20150312T140000Z DTEND:20150313T000000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076405 DTSTART:20150313T140000Z DTEND:20150313T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076406 DTSTART:20150314T140000Z DTEND:20150314T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076407 DTSTART:20150315T140000Z DTEND:20150315T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076408 DTSTART:20150317T140000Z DTEND:20150317T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076409 DTSTART:20150318T140000Z DTEND:20150318T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076410 DTSTART:20150319T140000Z DTEND:20150320T000000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076411 DTSTART:20150320T140000Z DTEND:20150320T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076412 DTSTART:20150321T140000Z DTEND:20150321T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076413 DTSTART:20150322T140000Z DTEND:20150322T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076414 DTSTART:20150324T140000Z DTEND:20150324T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076415 DTSTART:20150325T140000Z DTEND:20150325T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076416 DTSTART:20150326T140000Z DTEND:20150327T000000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076417 DTSTART:20150327T140000Z DTEND:20150327T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076418 DTSTART:20150328T140000Z DTEND:20150328T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076419 DTSTART:20150329T140000Z DTEND:20150329T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076420 DTSTART:20150331T140000Z DTEND:20150331T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076421 DTSTART:20150401T140000Z DTEND:20150401T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076422 DTSTART:20150402T140000Z DTEND:20150403T000000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076423 DTSTART:20150403T140000Z DTEND:20150403T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076424 DTSTART:20150404T140000Z DTEND:20150404T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076425 DTSTART:20150405T140000Z DTEND:20150405T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076426 DTSTART:20150407T140000Z DTEND:20150407T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076427 DTSTART:20150408T140000Z DTEND:20150408T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076428 DTSTART:20150409T140000Z DTEND:20150410T000000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076429 DTSTART:20150410T140000Z DTEND:20150410T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076430 DTSTART:20150411T140000Z DTEND:20150411T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076431 DTSTART:20150412T140000Z DTEND:20150412T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076432 DTSTART:20150414T140000Z DTEND:20150414T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076433 DTSTART:20150415T140000Z DTEND:20150415T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076434 DTSTART:20150416T140000Z DTEND:20150417T000000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076435 DTSTART:20150417T140000Z DTEND:20150417T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076436 DTSTART:20150418T140000Z DTEND:20150418T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076437 DTSTART:20150419T140000Z DTEND:20150419T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076438 DTSTART:20150421T140000Z DTEND:20150421T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076439 DTSTART:20150422T140000Z DTEND:20150422T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076440 DTSTART:20150423T140000Z DTEND:20150424T000000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076441 DTSTART:20150424T140000Z DTEND:20150424T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076442 DTSTART:20150425T140000Z DTEND:20150425T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1077398 DTSTART:20150426T140000Z DTEND:20150427T000000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1077399 DTSTART:20150427T160000Z DTEND:20150427T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076444 DTSTART:20150428T140000Z DTEND:20150428T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076445 DTSTART:20150429T140000Z DTEND:20150429T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076446 DTSTART:20150430T140000Z DTEND:20150501T000000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076447 DTSTART:20150501T140000Z DTEND:20150501T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076448 DTSTART:20150502T140000Z DTEND:20150502T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076449 DTSTART:20150503T140000Z DTEND:20150503T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076450 DTSTART:20150505T140000Z DTEND:20150505T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076451 DTSTART:20150506T140000Z DTEND:20150506T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076452 DTSTART:20150507T140000Z DTEND:20150507T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076453 DTSTART:20150508T140000Z DTEND:20150508T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076454 DTSTART:20150509T140000Z DTEND:20150509T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076455 DTSTART:20150510T140000Z DTEND:20150510T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076456 DTSTART:20150512T140000Z DTEND:20150512T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081444Z UID:tag:localist.com\,2008:EventInstance_1076457 DTSTART:20150513T140000Z DTEND:20150513T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1076458 DTSTART:20150514T140000Z DTEND:20150514T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1076459 DTSTART:20150515T140000Z DTEND:20150515T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1076460 DTSTART:20150516T140000Z DTEND:20150516T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1076461 DTSTART:20150517T140000Z DTEND:20150517T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1076462 DTSTART:20150519T140000Z DTEND:20150519T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1076463 DTSTART:20150520T140000Z DTEND:20150520T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1076464 DTSTART:20150521T140000Z DTEND:20150521T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1076465 DTSTART:20150522T140000Z DTEND:20150522T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1340336 DTSTART:20150523T140000Z DTEND:20150523T220000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1076467 DTSTART:20150524T140000Z DTEND:20150524T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1076468 DTSTART:20150526T140000Z DTEND:20150526T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1076469 DTSTART:20150527T140000Z DTEND:20150527T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1076470 DTSTART:20150528T140000Z DTEND:20150528T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1076471 DTSTART:20150529T140000Z DTEND:20150529T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1076472 DTSTART:20150530T140000Z DTEND:20150530T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1076473 DTSTART:20150531T140000Z DTEND:20150531T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1076474 DTSTART:20150602T140000Z DTEND:20150602T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1076475 DTSTART:20150603T140000Z DTEND:20150603T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1076476 DTSTART:20150604T140000Z DTEND:20150604T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1340337 DTSTART:20150605T130000Z DTEND:20150605T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1340338 DTSTART:20150606T130000Z DTEND:20150607T020000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260612T081445Z UID:tag:localist.com\,2008:EventInstance_1340339 DTSTART:20150607T130000Z DTEND:20150607T210000Z DESCRIPTION:One could argue that most photographs are staged. Portrait phot ographs are certainly performed or even manipulated by both photographer a nd subject. While the earliest photographic portraits required sitters to remain still for several minutes\, today it is hard to distinguish between posed and unposed pictures as photographers are able to capture images of people quickly and discreetly thanks to more portable cameras and faster exposures. Against this background\, Staged\, Performed\, Manipulated pres ents photographs—drawn exclusively from the permanent collection and dat ing mostly from the early 1990s to mid-2000s—that engage these aspects o f photography conceptually\, addressing issues related to gender\, identit y\, the photographic apparatus\, the gaze\, and more. The exhibition inclu des work by Gregory Crewdson\, Carrie Mae Weems\, Renée Cox\, Katy Granna n\, Justine Kurland\, Nikki S. Lee\, Meghan Boody\, Anneè Olofsson\, Yasu masa Morimura\, James Casebere\, David Levinthal\, Kate O’Donovan Cook\, Anthony Goicolea\, and Barbara Probst. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art\, Floor 2L SUMMARY:Staged\, Performed\, Manipulated URL;VALUE=URI:https://events.cornell.edu/event/staged_performed_manipulated CATEGORIES:Exhibition END:VEVENT END:VCALENDAR