In Madre Drone (2019–20), Patricia Domínguez (Chilean, born 1984) enacts a heroic eco-feminist effort to call nature back to the prior life of a teaming Bolivian rain forest burnt and singed by capitalist greed. In tactical performance, the artist recombines shots of a one-eyed toucan wounded by fire with the ocular wounds of 460 Santiago protesters assaulted by the bullets, pellets, and teargas of Chilean police. Madre Drone solicits protestors “a new way of seeing, one that matters, one that will permit us to experience the future.” 4K digital video (color, sound); 20:51 minutes. Courtesy of the artist. Produced in Kiosko Residency and Refugio Biotermal Aguas Calientes, Bolivia, 2019, and Santiago, Chile, 2020.