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Tuesday, March 5, 2019 at 4:30pm to 6:00pm
122 Rockefeller Hall
Abstract: In this talk, Prof. Smalls thinks through #BlackLivesMatter’s silent but implicit epistemological, material, and theoretical twin, #BlackDeathsMatter, by turning to a dance performance that works through the questions, affects, and aesthetics of Black death in the US. Prof. Smalls attends to how Black dance traditions serve as sites of protest and possibility inside of present and near-past dystopian worlds.
Bio: Shanté Paradigm Smalls is a scholar, artist, and writer. Smalls’s teaching and research focuses on Black popular culture in music, film, visual art, genre fiction, and other aesthetic forms. Dr. Smalls is currently finishing their first scholarly manuscript, Hip Hop Heresies: Queer Aesthetics in New York City, which won the 2016 CLAGS Fellowship Award for best manuscript in LGBTQ Studies. Smalls’s writing has appeared in or is forthcoming in The Black Scholar, GL/Q, Women & Performance, Criticism, Lateral, American Behavioral Scientist, Suspect Thoughts, Syndicate Literature, and the Oxford Handbook of Queerness and Music. Dr. Smalls received their PhD from the Department of Performance Studies at New York University.