Through weaving, quilting, clay, and assemblage, Marissa Cote materializes visions of queer utopia. By engaging sites of labor such as construction and the loom, she sculpts architectures of longing and belonging. Informed by the creation of inner and collective utopias, her sculptural visions of queer futurity mimic dwellings, built environments, and vanishing points. Cote’s practice materially and conceptually embodies her work and visions towards queerness. The Moon Went With Her presents a horizon as a site of hope, risk, and disappointment, and as glimpses of utopia.