BEGIN:VCALENDAR VERSION:2.0 PRODID:icalendar-ruby CALSCALE:GREGORIAN X-WR-CALNAME:Escaping the Ordinary: Artistic Imagination in Early Modern Pr ints X-WR-TIMEZONE:Eastern Time (US & Canada) BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694169 DTSTART:20170121T150000Z DTEND:20170121T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694170 DTSTART:20170122T150000Z DTEND:20170122T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694171 DTSTART:20170124T150000Z DTEND:20170124T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694172 DTSTART:20170125T150000Z DTEND:20170125T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694173 DTSTART:20170126T150000Z DTEND:20170126T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694174 DTSTART:20170127T150000Z DTEND:20170127T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694175 DTSTART:20170128T150000Z DTEND:20170128T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694176 DTSTART:20170129T150000Z DTEND:20170129T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694177 DTSTART:20170131T150000Z DTEND:20170131T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694178 DTSTART:20170201T150000Z DTEND:20170201T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694179 DTSTART:20170202T150000Z DTEND:20170202T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694180 DTSTART:20170203T150000Z DTEND:20170203T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694181 DTSTART:20170204T150000Z DTEND:20170204T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694182 DTSTART:20170205T150000Z DTEND:20170205T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694183 DTSTART:20170207T150000Z DTEND:20170207T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694184 DTSTART:20170208T150000Z DTEND:20170208T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694185 DTSTART:20170209T150000Z DTEND:20170209T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694186 DTSTART:20170210T150000Z DTEND:20170210T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694187 DTSTART:20170211T150000Z DTEND:20170211T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694188 DTSTART:20170212T150000Z DTEND:20170212T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694189 DTSTART:20170214T150000Z DTEND:20170214T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694190 DTSTART:20170215T150000Z DTEND:20170215T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694191 DTSTART:20170216T150000Z DTEND:20170216T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694192 DTSTART:20170217T150000Z DTEND:20170217T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694193 DTSTART:20170218T150000Z DTEND:20170218T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694194 DTSTART:20170219T150000Z DTEND:20170219T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694195 DTSTART:20170221T150000Z DTEND:20170221T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694196 DTSTART:20170222T150000Z DTEND:20170222T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694197 DTSTART:20170223T150000Z DTEND:20170223T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694198 DTSTART:20170224T150000Z DTEND:20170224T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694199 DTSTART:20170225T150000Z DTEND:20170225T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694200 DTSTART:20170226T150000Z DTEND:20170226T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694201 DTSTART:20170228T150000Z DTEND:20170228T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694202 DTSTART:20170301T150000Z DTEND:20170301T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694203 DTSTART:20170302T150000Z DTEND:20170302T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694204 DTSTART:20170303T150000Z DTEND:20170303T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694205 DTSTART:20170304T150000Z DTEND:20170304T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2694206 DTSTART:20170305T150000Z DTEND:20170305T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693841 DTSTART:20170307T150000Z DTEND:20170307T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693842 DTSTART:20170308T150000Z DTEND:20170308T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693843 DTSTART:20170309T150000Z DTEND:20170309T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693844 DTSTART:20170310T150000Z DTEND:20170310T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693845 DTSTART:20170311T150000Z DTEND:20170311T220000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693846 DTSTART:20170312T140000Z DTEND:20170312T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693847 DTSTART:20170314T140000Z DTEND:20170314T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693848 DTSTART:20170315T140000Z DTEND:20170315T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693849 DTSTART:20170316T140000Z DTEND:20170316T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693850 DTSTART:20170317T140000Z DTEND:20170317T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693851 DTSTART:20170318T140000Z DTEND:20170318T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693852 DTSTART:20170319T140000Z DTEND:20170319T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693853 DTSTART:20170321T140000Z DTEND:20170321T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693854 DTSTART:20170322T140000Z DTEND:20170322T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693855 DTSTART:20170323T140000Z DTEND:20170323T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693856 DTSTART:20170324T140000Z DTEND:20170324T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693857 DTSTART:20170325T140000Z DTEND:20170325T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693858 DTSTART:20170326T140000Z DTEND:20170326T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693859 DTSTART:20170328T140000Z DTEND:20170328T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693860 DTSTART:20170329T140000Z DTEND:20170329T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693861 DTSTART:20170330T140000Z DTEND:20170330T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693862 DTSTART:20170331T140000Z DTEND:20170331T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693863 DTSTART:20170401T140000Z DTEND:20170401T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693864 DTSTART:20170402T140000Z DTEND:20170402T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693865 DTSTART:20170404T140000Z DTEND:20170404T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693866 DTSTART:20170405T140000Z DTEND:20170405T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693867 DTSTART:20170406T140000Z DTEND:20170406T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230638Z UID:tag:localist.com\,2008:EventInstance_2693868 DTSTART:20170407T140000Z DTEND:20170407T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693869 DTSTART:20170408T140000Z DTEND:20170408T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693870 DTSTART:20170409T140000Z DTEND:20170409T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693871 DTSTART:20170411T140000Z DTEND:20170411T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693872 DTSTART:20170412T140000Z DTEND:20170412T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693873 DTSTART:20170413T140000Z DTEND:20170413T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693874 DTSTART:20170414T140000Z DTEND:20170414T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693875 DTSTART:20170415T140000Z DTEND:20170415T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693876 DTSTART:20170416T140000Z DTEND:20170416T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693877 DTSTART:20170418T140000Z DTEND:20170418T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693878 DTSTART:20170419T140000Z DTEND:20170419T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693879 DTSTART:20170420T140000Z DTEND:20170420T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693880 DTSTART:20170421T140000Z DTEND:20170421T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693881 DTSTART:20170422T140000Z DTEND:20170422T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693882 DTSTART:20170423T140000Z DTEND:20170423T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693883 DTSTART:20170425T140000Z DTEND:20170425T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693884 DTSTART:20170426T140000Z DTEND:20170426T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693885 DTSTART:20170427T140000Z DTEND:20170427T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693886 DTSTART:20170428T140000Z DTEND:20170428T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693887 DTSTART:20170429T140000Z DTEND:20170429T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693888 DTSTART:20170430T140000Z DTEND:20170430T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693889 DTSTART:20170502T140000Z DTEND:20170502T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693890 DTSTART:20170503T140000Z DTEND:20170503T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693891 DTSTART:20170504T140000Z DTEND:20170504T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693892 DTSTART:20170505T140000Z DTEND:20170505T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693893 DTSTART:20170506T140000Z DTEND:20170506T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693894 DTSTART:20170507T140000Z DTEND:20170507T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693895 DTSTART:20170509T140000Z DTEND:20170509T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693896 DTSTART:20170510T140000Z DTEND:20170510T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693897 DTSTART:20170511T140000Z DTEND:20170511T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693898 DTSTART:20170512T140000Z DTEND:20170512T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693899 DTSTART:20170513T140000Z DTEND:20170513T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693900 DTSTART:20170514T140000Z DTEND:20170514T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693901 DTSTART:20170516T140000Z DTEND:20170516T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693902 DTSTART:20170517T140000Z DTEND:20170517T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693903 DTSTART:20170518T140000Z DTEND:20170518T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693904 DTSTART:20170519T140000Z DTEND:20170519T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693905 DTSTART:20170520T140000Z DTEND:20170520T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693906 DTSTART:20170521T140000Z DTEND:20170521T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693907 DTSTART:20170523T140000Z DTEND:20170523T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693908 DTSTART:20170524T140000Z DTEND:20170524T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693909 DTSTART:20170525T140000Z DTEND:20170525T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693910 DTSTART:20170526T140000Z DTEND:20170526T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693911 DTSTART:20170527T140000Z DTEND:20170527T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693912 DTSTART:20170528T140000Z DTEND:20170528T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693913 DTSTART:20170530T140000Z DTEND:20170530T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693914 DTSTART:20170531T140000Z DTEND:20170531T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693915 DTSTART:20170601T140000Z DTEND:20170601T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693916 DTSTART:20170602T140000Z DTEND:20170602T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693917 DTSTART:20170603T140000Z DTEND:20170603T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693918 DTSTART:20170604T140000Z DTEND:20170604T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693919 DTSTART:20170606T140000Z DTEND:20170606T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693920 DTSTART:20170607T140000Z DTEND:20170607T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693921 DTSTART:20170608T140000Z DTEND:20170608T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693922 DTSTART:20170609T130000Z DTEND:20170609T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693923 DTSTART:20170609T140000Z DTEND:20170609T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693924 DTSTART:20170610T140000Z DTEND:20170610T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTAMP:20260716T230639Z UID:tag:localist.com\,2008:EventInstance_2693925 DTSTART:20170611T130000Z DTEND:20170611T210000Z DESCRIPTION:The works in this exhibition celebrate artists who explored cre ative narratives and distant lands\, inviting a brief suspension of realit y in favor of artistic fantasy. They used printmaking’s unique qualities —including its mutability\, intimacy\, and serial capabilities—to inno vate in the expression of mythological\, religious\, social\, and politica l ideas.\n\nThese artists\, at work during the first three centuries of pr intmaking in Europe\, included Dürer\, Rembrandt\, Piranesi\, Canaletto\, Tiepolo\, and Goya. They used a range of techniques—woodcut\, engraving \, etching\, mezzotint\, aquatint\, and others—to explore the unfamiliar and strange. Some prints\, like Dürer’s Apocalypse\, gave visual form to contemporary anxieties about the end of the world. Others\, such as Can aletto’s fantastic views of Venice or Piranesi’s of Rome\, enhanced fa miliar cityscapes with caprice\, heightened drama and anachronism.\n\nEsca ping the Ordinary offers a glimpse into the inner workings of the minds of these great printmakers as they eschewed everyday surroundings for exotic costumes\, landscapes\, and creatures.\n\n \n\nThis exhibition was curate d by Andrew C. Weislogel\, the Seymour R. Askin\, Jr. ’47 Curator\, Earl ier European and American Art\, and Brittany Rubin\, print room curatorial assistant\, at the Johnson Museum. GEO:42.450729;-76.486069 LOCATION:Johnson Museum of Art SUMMARY:Escaping the Ordinary: Artistic Imagination in Early Modern Prints URL;VALUE=URI:https://events.cornell.edu/event/escaping_the_ordinary_artist ic_imagination_in_early_modern_prints CATEGORIES:Exhibit CATEGORIES:Exhibition END:VEVENT END:VCALENDAR