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Malin Bång’s music is an exploration of movement and energy. She defines her musical material according to their amount of friction to create a spectrum of unpredictable and contrasting actions, ranging from the intimate and barely audible to the harsh and obstinate. In her work she often incorporates acoustic objects to explore a rich sound world and to suggest that a musical content can be shaped by anything valuable to the artistic purpose.
Malin Bång is the composer in residence and one of the founding members of the Curious Chamber Players. In collaboration with the CCP members she has established an experimental composition method combining close amplification of instruments with performance of large acoustic objects.
This talk will discuss her works including split rudder, a piece that explores the sounds of the Paetzold contrabass recorder from the inside, and splinters of ebullient rebellion, using the orchestra as a dynamic platform for exploring the relation between the individual and the collective, and for examining the vulnerable communication among an institution and its members.
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