Friday, May 24, 2019 at 10:00am to 5:00pm
Saturday, May 25, 2019 at 10:00am to 6:00pm
Sunday, May 26, 2019 at 10:00am to 5:00pm
Tuesday, May 28, 2019 at 10:00am to 5:00pm
Wednesday, May 29, 2019 at 10:00am to 5:00pm
Thursday, May 30, 2019 at 10:00am to 5:00pm
Friday, May 31, 2019 at 10:00am to 5:00pm
Saturday, June 1, 2019 at 10:00am to 5:00pm
Sunday, June 2, 2019 at 10:00am to 5:00pm
Tuesday, June 4, 2019 at 10:00am to 5:00pm
Wednesday, June 5, 2019 at 10:00am to 5:00pm
Johnson Museum of Art, Floor 2L
Herbert F. Johnson Museum of Art, 114 Central Ave, Ithaca, NY 14853, USA
The early years of the Renaissance brought about renewed interest in the idealized proportions and smooth and languid gestures of Greco-Roman sculptures, which became the preferred model for the then-contemporary nude figure. However, as the study of the human body using cadavers, écorché figures, and live models became increasingly popular, artists fused this focused attention on musculature and anatomical features with the vogue for classical idealism.
This exhibition, drawn from the Johnson’s permanent collection, public institutions, and private collectors, will examine the trajectory of the nude body in art. It will explore how the nude is defined, both artistically and circumstantially, as the idea of the Renaissance ideal evolved over both time and space, raising questions about what bodies are allowed to be shown nude, how the body expresses gender and beauty, and how the nude is used to express narrative content and heightened emotion. How does the practice of working from studio models change what bodies are shown nude? How does a rising interest in anatomical accuracy reaffirm or chafe against conceptions of classical perfection? How does the nude body change from religious painting to mythological subjects? Undressed will examine these questions and more through paintings, prints, drawings, and anatomy books.
This exhibition was curated by Andrew Weislogel, the Seymour R. Askin, Jr. ’47 Curator, Earlier European and American Art, and Brittany Rubin, print room curatorial assistant, at the Johnson Museum, and supported in part by the Donald and Maria Cox Exhibition Endowment.