Cornell University

Musicology Colloquium: Judith Peraino

Thursday, February 22, 2018 at 4:30pm

Lincoln Hall, 124
Dept of Music, 101 Lincoln Hall, Cornell University, Ithaca, NY 14853-4101, USA

“I’ll Be Your Mixtape: Lou Reed, Andy Warhol, and the Queer Intimacies of Cassettes,” Judith Peraino

This paper tells the story of a cassette tape, a set of never-released (and rarely heard) songs by Lou Reed, and the tape’s intended audience: Andy Warhol. It is also the story of the affective affordances of personal recording technologies starting in the 1960s, and the emergence of the mixtape as a gift of curated sound in the 1970s and beyond. Reed and Warhol are giant figures in the history of twentieth-century art and music; their artistic collaboration in 1966-1967 culminated in the landmark album The Velvet Underground and Nico. Prominent rock movements in the 1970s—notably glam and punk—contended with the primitivst sound and queer mystique of that album, just as Reed and Warhol continued to look to each other throughout that decade as sources for ideas and inspiration. Based on extensive archival research, interviews, and an analysis of the tape’s contents and context, I will illuminate the circumstances of the cassette’s making in the late months of 1975, and its connection to Warhol’s newly published The Philosophy of Andy Warhol (From A to B and Back Again), where he famously referred to his tape recorder “his wife.” This was a time when Reed was romantically involved with a transwoman named Rachel, and Warhol had embarked on his portrait series of African American drag queens and transwomen entitled Ladies and Gentlemen. Their coincidental engagements with transgender identities forms an intriguing background to this mixtape, which archives Reed’s and Warhol’s own complexly permeable artistic selves. Beyond a fascination with celebrity lives or even new biographical details of great artists, this mixtape gift spotlights a new mode of technologized intimacy, the extension of embodiment offered in tape’s material presence, and in its inscription of split beings and spliced subjectivities that record ontological vulnerability. 

 

 

Event Type

Lecture, Music

Departments

Department of Music

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